NOTE TO EXAMINERS

Two posts require passwords to access content, One is a post which accesses a rough version of my finished film and another is the finished video itself via vimeo. Both of these posts require the same password, that password can be found in my production folder which will be handed in with the physical copy of my work. (both on the inside of the box on a sticky label and on a piece of paper in a plastic wallet.)

 

If for whatever reason this password has gone missing or for some reason i am forced to make the video public, please contact me at shaunjacquesuk@hotmail.co.uk

 

My reasons for keeping these posts private are to do with festival entries, It may hinder my chances of entering certian festivals if the film is easily available to view on vimeo and/or youtube. I hope this is no inconvenience

Grandiose Film (PASSWORD PROTECTED)

I don’t wish for this video to be publicly viewable. If you are a lecturer or an external marker then please refer to the password given in my production folder, This is a web quality version, for a higher quality version of the film please view the copy given via USB stick. If this is not possible or ok then this video is here to view.

If for any reason any of this is a problem my contact email is ShaunJacquesUK@hotmail.co.uk

Music.

Throughout the process of making the film I knew that music would be vital to this film, I had to make sure that the music I got after shooting would work as many different factors meant I would not be able to record this myself. I needed two songs in the film for different reasons, I needed one for the introduction which I could ‘pretend’ was one of the bands’ own songs and another for the pub scene which would work to set the mood of the pub. I also needed the piece to be scored and orignally this was going to be done by Benedict as seen in my poster.

To get the songs I pretty much just asked on facebook and twitter, I know a number of people in bands that I knew would love to offer music for this project but finding the right song was quite a struggle, I was sent a number of hard rock and metal which really didn’t suit the scene at all. As stated in a previous post I decided to use a ‘strings of colonies’ song as it suited the scene the best, I also used a very small snippet of the song as Rob’s ringtone in the 3rd scene.

I kept in touch with Baden about the music over the editing days, I sent him a rough version of the scene with his bands song in. For the introduction scene Dale offered during filming one of his bands songs to use, He decided that the King Hermit song ‘She’s a deciever’ suited the part the best, I agreed and used the ending of that song to introduce the film. I then had problems with the scoring, I knew that Ben had his own deadlines and he stated that getting the score ready in time would be a worry, I decided to look into copyright free music for the sake of the deadline, this wasn’t ideal but I felt it was a nesseciary sacrifice and that Ben would always be able to do the score for me to use for festivals. As I was working on the editing however I put on a playlist and on that playlist was an artist called ‘Isosine’ Internet famous for his series of ‘mashups’ particularly his mix between Slipknot and Justin Beiber called Psychosocial Baby. He released a new song called remember which I felt could work extremely well with my final scene. I asked the artist for permission to use the song in my film before continuing.

The above link is the track I used, the feedback I had from…..

I feel that the music I have for my film works really well for my film, in hindsight I should have prepared backups for the score sooner than I did but in the end it all works out well. I honestly think that the track I ended up using for the last scene makes it stand out that much more, I realise I probably shouldn’t have been this lucky and in the future I will aim to have backups ready if someone has to step out of any major role such as music or casting.

FULL EVALUATION

Personal Reflection

In January I handed in my 360mc proposal for my film idea which at that time was called ‘Shattered Dreams’ I have to admit I had an idea but nothing too solid in terms of practical items such as a script, crew or locations, I had a lot of work to do, in fact more work than I probably anticipated at that point in January. I thought I could put together a script in a few weeks that would be fine to shoot with and I could be done by the end of march. This was EXTREMELY unrealistic for what I was aiming to achieve and I learnt that fairly quickly, I think when I got back from Dresden I finally realised how big this project really had to be and how much time it would take off me, I’m not saying I didn’t do anything before the middle of febuary but after that point I really felt I had to up my game so to speak, This project forced me to try my hands at things I had never done before, I had never done casting before and this was a massive challenge as seen in previous posts, I also had to become a much better organiser of time not just my own time but also managing the time of my cast and crew.  This got me very stressed at occasions and people having to back out of the project didn’t help me manage that stress. Once I was able to confirm my filming dates (which was much later than I would have liked) I found it much easier to organise my crew as ‘most’ people were able to fully confirm their involvement. Setting myself ‘interim’ deadlines was extermely helpful as it allowed me ‘nay forced me to stick to these dates and any alterations to these dates were pretty much unacceptable. especially the finalised filming dates. This became a problem when a couple of actors dropped out a few days before filming but this was solved by the additions of Rob and Ashlian. I was also very fortunate to have a good group of people helping but an extra special thanks should go to Laura and Tayo who were a great constant to have over the first two days of filming. I was directing the piece which is something I had a bit of experience with, but not to this degree. It was a challenge but I felt overall I did rather well, in hindsight I wish I had gotten more ‘safety’ and cutaway shots to help with the editing, I also wish I’d planned the timings a bit better so it didn’t feel like we were battling against the clock all the time, but at the same time that clock mentality forced all of us to make every moment count during filming.

All of this presented work at the editing desk, I felt I had done enough to make my job as an editor bearable, I had got plenty of retakes and shots from a number of different angles that helped make putting the scenes together easier than it could have been, again this wouldn’t have been possible without the crew I had around me during the filming. I felt that as an editor I could get a rough cut together very well, if i’m being honest I think I have a good eye for the structure of a piece, however my skills in the ‘online’ edit stage can be lacking I have little to no skills in colouring and I really don’t have a great eye for editing that to a professional standard, in the future when working on a major project I would certinanly get someone else to help or perform the colouring and grading tasks.

In terms of the actual story and finished piece I have to say i’m quite surprised by some of the reactions I have received at this point I have always considered myself good at taking a rough idea (presented by someone else)  and making something from it, but scripting a whole new idea was a challenge, when presented with the opportunity to do anything I spend a long time doing essentially nothing as I contemplate what i ‘could’ do. Although I had help along the way from Cifton and Laura, my idea that went into production was still my own, but making that into a decent film isn’t necessarily  a simple process, getting the pacing right for this film was a challenge, getting it all to flow was a worry, I didn’t know if my audience would get it, as this was for the most part a one person job (as in I produced, directed and edited) I began to worry that I was wrapped in the film world and didn’t allow the film to explain itself. Showing this film to fellow course members was extremely helpful as they picked up on things that I hadn’t noticed such as sync issues and odd shots. Some criticised my office scene which I had to admit was my weakest due to some of the acting and lighting issues, whilst praising the structure of the piece and a strong intro and outro.

Here are a selection of quotes from people about my film.

“You could perhaps cut it a little tighter as well to up the pace, the ending works well as good on the screen as in the script so this is a good surprise ending.” Clifton Stewart Coventry University Lecturer

“Grandiose has a catching storyline which made me interested to know what would happen next, however some of the acting felt like it wasn’t of professional standard but overall the film managed to overcome this.” Heather Reale 3rd year Occupational Therapy Student

“A common story with creatives, well done its good very good. The girlfriend is really shallow here, no 2nd chances with her pretty ruthless and I don’t like her character. Are there women like that in this world, I like the story, and you let the audience figure out what the ending to it is…” Richard Wood Filmaker – Call The Shots

“good stuff, i think the shots look good, looks like they were filmed pretty well” Jimmy Allen Coventry Media Production Gradute

“First thing to grab my attention when watching Grandiose was its realistic take on the blind passion that can sometimes revolve around a unsigned band. The lead characters drive was believable and something I’ve seen many times in lead singers. There were some really nice shots and the pace of the film never dragged. Even in short films you can find yourself checking your watch, but Grandiose was interesting enough that I felt I wanted to see what happened. Overall it was an impressive and interesting film” Jim Peakman 3rd Year Media Production Student

“An inventive and original film with an unexpected twist, fun to watch and very creative. ” Kayleigh Gleeson 3rd Year Media Production Student

The film originally started out as a look into the world of media, particularly the music industry, it’s quite clear that this film did not stick to that ideal, only keeping some of the original ideas intentions at heart,  My research during 360mc did allow me to work the locations and settings I would have used and also helped inspire some of the characters and their intentions, In essence the story changed from a look into the industry and more about those trying to get into that industry, It also looked into friends and family motivations and how sometimes a story is open to interpretation. I wanted my audience to dislike Nathan to begin with, I wanted him to appear naive and arrogant, whether that was successful my audience would have to tell me. I don’t think I’m a great scriptwriter and it is certinanly not an area I will be looking into after university but I felt this project really improved my scriptwriting abilities from pretty poor, to possibly half decent, maybe in the future I will practice more at improving this further.

Getting all of this together was a challenge and I was very VERY lucky to get this done for as little as I did (final budget <£200) This was ridiculously small for this film and much of it was spent on transport, I really SHOULD have spent a lot more on actors, crew and the like but as most of it was done under a helpful ‘scratch your back I’ll scratch yours’ policy, which wasn’t at all a problem. In the future to even repeat making this film I would likely be paying at least 3 or 4 times the budget i paid to get the same quality crew and cast. Everyone involved in the shooting crew was great and I have no real complaints to say (not like I would really post them here by name anyway) There were a few nagging issues during shoots but nothing we didn’t get past, I appreciate how rare that can be during shooting as I have been involved in some less than stellar crews in the past.

Overall I can say I am happy with my final project. Infact I’m pretty proud of it. I KNOW there are a lot of things that could be improved, I do plan to get a colourist involved at some point to improve some of the colouring issues I have mentioned prior (although the current edit isn’t exactly terrible) and there are a few things I would have done differently, but realistically I couldn’t have done too much differently once the flow was going. At the start of this module I said all I wanted from this film was something I could hold up and say ‘I made this’ I’m pretty happy to say I can say that with no shame, which is something I didn’t think I’d be able to say during the march stress.

Shaun Jacques.

TRAILER AND CREATION

The above is my 30 teaser for ‘Grandiose’ I decided to make this trailer to promote the film and give a potential audience a rough idea of what my film would be about but without giving too much away. I had seen plenty of trailers in the past, particulary from Hollywood where the whole story is ruined in a 1 minute trailer, I was highly against doing that but at the same time I needed to give the audience something to work with. For an example of what I am talking about I present the example of Adam Sandler comedy ‘Funny People’

The trailer above pretty much tells you everything you need to know about the film, to the point where I felt that I didn’t need to see it, This is something I have criticised in the past especially in comedies where all of the best ‘moments’ are put into the trailer leaving the film itself to seem rather lacklustre. I aimed to give just a little bit of a section about the ‘world’ of ‘grandiose’ I experimented by putting in certian phrases that would tell the audience the basic story ‘Example Nathan saying “We’re gonna record an album”  but I decided against this as it just didn’t suit and it felt really out of place. The idea of the trailer I ended up with as stated earlier was to introduce the world and a ‘little’ bit about the characters, as inspiration for this I rembered the current series of teasers for Promethius and also the orginal run of trailers for Inception.

Once I finished the trailer though it reminded me of something, I couldn’t put my finger on it for a while but I had a strange sense of deja vu. What I had managed to do (in my opinion) was create an intro similar to some TV series, particully  some made in the mid nineties such as Joss Whedon’s Buffy The Vampire Slayer.

I found it quite interesting that I had come to this conclusion as it must have been subconsciously playing in my head during the thought process of creating this trailer. If given more time I may have created an alternative teaser, trying out some more lines to make the trailer make some more sense but at the same time sticking to my ‘less is more’ approach, but I feel this teaser does the job nicely and has received positive feedback so far.

Festival Research

A major focus for this film has to be how and where I will market the film, what festivals I will send it to and what is required for submissions into those festivals. As part of research for this I discovered a site called withoutabox.com which is run under the IMDB umbrella, The idea of this site is for filmakers to post and submit their film to the sites formatting, this covers aspects such as genre, length, background, etc… and then compares the focus points against those of registered festivals. This was a very helpful resource as it allowed me to set up my film (although at point of submission certain elements had to be left blank) Below is a comparison between my film and the submission requirements for the Los Angeles Movie Awards

It shows that my film is certainly NOT suitable for submission to this festival, as my film has a running time of 12 minutes and the minimum requirement for this festival is a 60 minute piece. what this site does help to understand is the sheer amount of detail I need to provide for the festivals I plan to submit to, This website would save me a lot of time with online submissions as I would only need to fill out the form once and then apply to later submissions (assuming they accepted online submissions and were registered with the website) This would not help with festivals that require a physical hand in as I would still need to fill out the paperwork the old fashioned way.

Looking through this site as well as further research from my 360MC post on the matter I have found several festivals I would be interested in submitting to. To be able to afford the cost of festival submissions I would be looking at starting a kick-starter on the film to fund ‘distribution’ costs. Some other projects have setup fund-raising accounts online during pre-production to raise costs of filming to varying degrees of success, but I felt that this was not approiate for my film as I found it quite hard to show off my technical skill and really ‘sell’ the idea, I know I would find it difficult to fund a student project without seeing ‘something’ related to the project. However with the film ‘near enough’ finished, I think it will be much easier to raise support around promotional materials I can post (such as trailers) and this may raise interest and hopefully funding to cover some of the distribution costs.

I am currently in the process of getting a press kit organised, I have asked for help from journalism student, Cormac Kelly who has helped organise press kits for a number of other projects, according to E-How.com these are what I should be putting into my press kit

  • Film synopsis
  • Cast photos
  •  Cast bios
  • Crew bios
  • Film reviews
  • Tickets to screenings
  • Technical stats sheet
  • Director’s statement
  • An EPK (electronic press kit)
  • Ten frequently asked questions

Of course some of these do not really apply to me such as the tickets to the screening, but the rest will be information I will be passing on into my press kit.

Example press kit. This is a press kit for the 1982 film ‘Blade Runner’

With this in mind I need to consider what festivals I will apply for with this film, assuming I get funding to cover costs I will apply for entry in the following festivals:
Some of festivals will ask for exclusive rights to show the film and will ask that the film has not been screened at any other festival, these festivals I will likely have to avoid unless I feel that it is a big enough festival that can get my film out to a wide audience and also suit the style of the film.
As well as the above festivals I would be looking to present the film and several film nights, primarily local ones such as Roots To Shoots which is based in Coventry. I will also consider in time possibly entering into contests on vimeo BUT this would be a last resort at the end of the film’s ‘shelf life’ as many festivals will not show films if they are easily available on vimeo.
Festivals did present a concern when I was editing my FMP, I did aim to get my final project down to 10 minutes to enter into more short film festivals as there appears to be a much bigger market for those than ‘longer’ shorts (11-59 mins in length) I decided to keep to my current length as I felt that the film would not work with any further cuts.

Read more: How to Put Together a Film Press Kit | eHow.com http://www.ehow.com/how_2325415_put-together-film-press-kit.html#ixzz1uSyKyQL8